Whereas the Fringe line up on Friday was a combination of plays in both the dramatic and comedic vein, the line up today was much more oriented towards what one would colloquially describe as music of the alternative nature with an ending of a sombre (and for this reviewer, remarkably personal) note.
The Dorothy Matrix 8 Bit Orchestra
Hosted in the basement of Saint Mary’s Lyceum, this musical performance lies somewhere electronic and classical music genres meet. The titular Dorothy Matrix is actually Andrew Davis, a Philadelphia based musician who also works under the alias SloppyGoop. Matrix also has an assistant, Shari O’Sound, who is played by the remarkably charming Cory Kram. Together Matrix and O’Sound (or Davis and Kram, or SloppyGoop and Kram) have rigged together eight nintendo gameboys, which as any gamer who was alive during the early 90’s will remember operate on 8 bits. O’Sound controls the technical elements, while Matrix acts as the conductor. I hope this doesn’t come off as offensive, but there were several times during the performance when Kram reminded me of Mickey Mouse as the Socerer’s Apprentice in Fantasia. There is also an element of drag to the performance, which I’m not sure how much to play up or play down because Kram did not acknowlege this element during the entire performance.
One of the smartest bits of the performance is that Kram makes references to a fictional universe video games. The ingame universe revolves around stones including a fourth atonal stone, which a glitch. This whole video game and glitch element are reminiscent of Wreck It Ralph and the candy game glitch princess that was played by Sarah Silverman. An audience could expect to Rachmaninoff, Bach, Dvorak, Camille Saint-Soens, and Beethoven. The performance also used several pieces from a film, which I believe is called Lieutentant Kije and which as a lover of Russian film I intend to hunt down at a later date.
After starting off my morning at Saint Mary’s Lyceum (which by the way has an awesome membership that I’m planning on joining shortly), I made my way to Artists Image Resource to see Laundry Night. If you think that a pair of Kiss boots, a golden cape, an accordian, and a large blowup dinosaur make for an awesome show, you need to check out Ambivalent Man. Ambivalent Man is a solo performer from Chicago, Illinois. I’d bill him as an accordian player, but that’s not necessarily true. There are also several Ambivalent Man songs that were originally recorded on prerecorded instruments that you used to be able to buy (and maybe still can) at Toys R Us. Ambivalent Man is from Chicago (or at least spent some time there) but his demeanor due to his dreamy and faraway quality remind me more of the Pacific northwest than Chicago.
The story told by Ambivalent Man revolves around Ambivalent Man’s struggle for love in Chicago, laundry based problems, and slow rise to international obscurity as a sideline figure in America’s Got Talent footage. There are several costume changes (and dinosaur inflations) throughout the performance, and at the very least Ambivalent Man’s performance is consistently surprising. If I had to make a comparison, I’d say that Ambivalent Man has some inklings of Emo Phillips, who also spent time in the Downer’s Grove part of Illinois. If you like the strange and peculiar, Ambivalent Man and Laundry Night is a can’t miss.
The Booth was the first opportunity that I have had to check out the new Alphabet City building. Fortunately, due to both The Booth and Sophia Mintas I was able to see both the upstairs and downstairs parts of the very new Alphabet City building. As a resident of the war streets, I’ve been very excited about this building and all that is has to offer in the city of Pittsburgh. The Booth is a very funny, very clever (for those who are in the business) play about the lives of three “booth” people during the run of a play. Written by lance-eric skapura and so artfully directed by Alice McAllister, this play was a good piece of short writing.
In less than 30 minutes, The Booth made me laugh and wonder how much of the play was based on real life events. Special note should go to Lisa Germ as Athena Patel who is a gift to good comedic timing in Pittsburgh as well as Chelsea Forbes (Paul) and Bruce Story-Camp (Robert) of whom comedy is well played. Usually, in that amount of time, I don’t have those needs met. In a short amount of time, The Booth is to the punch. I don’t think the piece will run in larger circulation so I’d say check this out again, but instead I’ll say check out all of those involved.
Sophia Mintas Live!
Due to the influences (classical, maybe opera?) I felt a bit out of my ballpark listening to Sophia Mintas. She’s a young songwriter and a voice student at Duquesne University. All I can say are good things. There’s a remarkably engaging quality about Sophia Mintas. In between the songs, Mintas told stories about her stuffed elephant, hot pink roses, how she got angry when her significant other did not call her and a childhood love of ice cream. Mintas has performed in (and gained inspiration from her time in) Italy, Los Angeles, and Pittsburgh. Many of her lyrics focus on the transcendent nature of love and the human being experience. Mintas has a very rich voice that serves as a fine compliment to her piano playing. The performance was held in the upper part of Alphabet City which has a lovely bookshop with some very interesting selections by local authors and deep, red curtains that remind me of the red room in Twin Peaks. I was very impressed with the Alphabet City building and plan on going back some time soon.
The Pink Hulk
For the last show of my Fringe Festival run, I headed back to Artists Image Resource. After a day that was spent taking in mostly unique and memorable music act, this was a very emotional performance to sit through. The Pink Hulk is a one woman play by Valerie David about her experience as a survivor of both lymphoma and breast cancer.
David uses a large amount of comedy and heartbreaking honesty to deal with the difficult topics of the play. As a two year survivor of stage three testicular cancer, I connected with this work on a remarkably personal level. I understood very well the topics that David brought up in the play like having your hair until two weeks into chemotherapy and then watching it fall out in clumps, the struggles of chemotherapy, the feelings of desertion by the people to which you are closest. That said and this is a very small point, at one juncture in the play David posits that stage 2 breast cancer was worse than lymphoma. As cancer survivors, David and many others (including myself) frequently find ourselves comparing one form of cancer to another as if it was some strange comparison contest. The two cancers that David had are both brutal and not comparable. (Other than, breast cancer is a direct assault on one’s femininity in the same way that testicular cancer is a direct assault on one’s masculinity.)
That David was able to turn her experience into a play and has the blind courage as a performer to speak about her time in the fire with such candor is nothing short of a demonstration of her many gifts as an artist. If you or a loved one has been affected by any type of cancer, I’d follow David and try to see The Pink Hulk. While a very hard performance to sit through, the play is also immensely rewarding. It was nice to end the Fringe Festival with David’s piece, it brought me back into the daily concerns and perspective that David and I have as survivors while also giving me strength.