You on the Moors Now

WebMOORSIt is an interesting phenomenon when the storytelling trends currently dominating the television and film landscapes creep up in the theatre world.

Every new project announced nowadays, whether it’s for the big or small screen, seems to be either a reboot of a previously successful property or some sort of crossover event that brings together fan favorite characters for an epic adventure. This year alone, we’ve seen the first installment in the third incarnation of the Spider-Man film franchise and, later this week, the Justice League will assemble for the first time in a live action movie.

On the other side of the genre and content spectrum from those blockbusters, Point Park’s Conservatory Theatre Company presents a surprisingly physical and universally stunning production of Jaclyn Backhaus’s play You on the Moors Now

Backhaus’s script operates as a reboot/sequel to some of the 19th century’s greatest novels that have since become staples of high school syllabi around the world. The play opens as the worlds of Jo March (from Louisa May Alcott’s Little Women), Jane Eyre (the titular character in Charlotte Brontë’s novel), Catherine “Cathy” Earnshaw (from Emily Brontë’s Wuthering Heights), and Elizabeth “Lizzie” Bennet (from Jane Austen’s Pride and Prejudice) collide during pivotal moments in all their lives. They have each received marriage proposals from their respective love interests and, to their surprise, they’ve all said no. Now, they are all left with an even bigger and more difficult question to answer: What’s next?

Julia Small (Elizabeth Bennett), Madeline Watkins (Cathy), Aenya Ulke (Jane Eyre), & Shannon Donovan (Jo March)
Julia Small (Elizabeth Bennett), Madeline Watkins (Cathy), Aenya Ulke (Jane Eyre), & Shannon Donovan (Jo March)

Their decisions to abandon their homes and families and strike out on their own have disastrous effects for the people in their lives. It’s definitely a four way tie for who handles this the most poorly between the young women’s jilted suitors Theodore “Laurie” Laurence, Mr. Rochester, Heathcliff, and Mr. Darcy. With the help of some colorful supporting characters from each of the novels, the men hunt down our heroines. Their search leads them into the mysterious world of the moors where Jo, Jane, Cathy, and Lizzie have set up camp.

An all out battle of the sexes ensues between the gendered factions. It takes disfigurement and death on both sides to bring the conflict to an end. Even though it’s not until ten years after the end of the war that we meet our characters again, it’s clear that those who survived are still dealing with the pain of their psychological scars. In one way or another, our four heroines find peace within themselves and with the choices they’ve made in their lives.

Bryan Gannon (Fitzwilliam Darcy), Evan Wormald (Mr. Rochester) & Micah Stanek (Heathcliff)
Bryan Gannon (Fitzwilliam Darcy), Evan Wormald (Mr. Rochester) & Micah Stanek (Heathcliff)

I’m sorry to be purposely vague on the plot details of You on the Moors Now, but I think the best way to experience the show is knowing as little as possible. There are tons of twists, turns, and Easter eggs for fans of the books. But, if you’re like me and you got stuck reading Ernest Hemingway and Aldous Huxley in high school instead of Alcott, Austen, and the Brontë sisters, you’ll love getting to know these bright, quirky young women and easily identify with their struggle for independence

While I maintain that on paper this play sounds like a television or movie pitch waiting to happen, I credit director Sheila McKenna with employing thrilling movement and combat sequences to give the piece an impact that only theatre can achieve. As the play skillfully subverts our expectations and perceptions of these classic characters, she along with dance captain Meghan Halley and fight captain Shannon Donovan raise the stakes of what could be considered by an especially cynical viewer as simply feminist fan fiction. The way that the opening line dance and the fight scene that ends Act II echo each other is truly poetic.

It is a story 100% by and about women that is truly feminist for the way it establishes women and men as equally fearsome adversaries on the battlefield and equally able to make and learn from their mistakes.

Unfortunately, for all of their talents, McKenna, Halley, and Donovan are not able to rescue the production from its tidy and tedious ending in the play’s third act. That task is left to the show’s designers Tucker Topel (sets), Terra Marie Skirtich (costumes), and Heather Edney (lights), whose work was a beauty to behold for the entire show but definitely shone brightest in its final moments.

Meghan Halley (Nelly Dean, Beth, Jane Bennett) & Adam Rossi (Joseph, Marmee)
Meghan Halley (Nelly Dean, Beth, Jane Bennett) & Adam Rossi (Joseph, Marmee)

The actors literally wore their characters’ emotions on the sleeves in outfits that looked like they were ripped from the runway of a 19th century-inspired Urban Outfitters collection. You’ll truly feel like you’re in the world of a book with the walls painted to resemble scorched parchment pages and where you can be transported from deep in the woods to high in the stars in an instant.

It will be hard to witness a more energetic and charismatic ensemble than the one featured in this production. They are led by the aforementioned Ms. Donovan (Jo), Julia Small (Lizzie), Madeline Watkins (Cathy), and Aenya Ulke (Jane), who all combine the classic elegance and strength that made these characters iconic with a modern wit that makes these worlds worth revisiting today.

Their bond is indestructible and sweet (without being sappy) as in the scenes where Cathy hilariously bemoans her sister-less state and her three friends reassure her that she’s never without a sister as long as they’re around. Point Park’s You on the Moors Now makes sisters of all this revisionist riff. Regardless of age, gender, or era, we’re all just fighting to be heard and have our dreams respected.

You on the Moors Now runs through November 19 and from November 30 through December 3rd. For more information, click here.

Photos by John Altdorfer

Point Park Gets to Work on Another Eight Shows at the Pittsburgh Playhouse

11391480_10153367774739464_1509896223937134191_nSummer may be ending, but things are about to heat up at the Pittsburgh Playhouse in Oakland.

The home of Point Park University theatre— The REP Professional Theatre Company and the Conservatory Theatre Company—is about to welcome eight exciting new productions into its hallowed halls for its 2017-2018 season. Artistic Director Ron Lindblom confirms that the amount of enjoyment the audience receives from the high-quality productions is equal to the educational benefits that the student cast and crew members receive.

“The Conservatory is geared towards training young artists and these classics really give the students the opportunity to get the training they need,” he said. It’s a win/win situation for anyone who steps foot in one of Point Park’s theatre spaces with the only variable being the shows in question that are chosen.

WebPosterBOYSKicking things off for Point Park’s season is a critically-acclaimed musical, authored by one of musical theatre’s most prolific and iconic writing teams. Making its Pittsburgh premiere, The Scottsboro Boys with music and lyrics by John Kander and the late Fred Ebb tells the dramatic true story of nine African-American teenagers falsely accused of sexually assaulting two white women on a train riding through Scottsboro, Alabama in 1931. The media circus and infamous series of trials that followed were plagued by extreme prejudice against the defendants and unfair judicial practices. If you’re expecting the fun conventions of musical theatre to make the dark subject matter more palatable, you’re out of luck here.

As they did with shows like Cabaret, Chicago, and Curtains, Kander and Ebb have brilliantly framed this tragic narrative in a distinct and unique theatrical style. Rather than using vaudeville or golden age musical comedy as its structure, The Scottsboro Boys is built as a minstrel show. In the early 19th century, these performances featured mostly white actors in blackface mocking African-Americans. In Kander and Ebb’s musical, originally directed on Broadway by Susan Stroman, the tropes of the minstrel show are employed to underline the countless injustices that ruined the lives of the titular characters. Lindblom laments that he finds “great relevance” for a story about black men being discriminated against in the legal system in the headlines of the modern world. Fortunately, this production is being helmed by Tomè Cousin whose frequent collaboration with Stroman makes him “perfect” director for this piece. The Scottsboro Boys plays at the Rauh Theatre from September 8-24.

Thankfully for patrons looking for musicals that provide some level of escapism, there are productions of Kiss Me, Kate and 42nd Street in the pipeline following The Scottsboro Boys.

WebPosterKATEBoth are “backstage musicals” that tell stories of two troubled theatre productions. Original Tony Award-winning Best Musical Kiss Me, Kate—featuring a classic score by Cole Porter and a book by Sam and Bella Spewack—introduces us to divorced couple Fred Graham and Lilli Vanessi who are co-starring in a musical adaptation of William Shakespeare’s Taming of the Shrew. Although it’s clear that love still lingers between them, they simply cannot stand each other. They’re surrounded by a host of wacky characters, including a pair of gangsters with a bone to pick with Fred, who prove against all comedic odds that the show must go on. Kiss Me, Kate runs at the Rockwell Theatre from October 20-29.

WebPoster42Wide-eyed ingenue Peggy Sawyer is the heroine of the tap-tastic musical 42nd Street. The only thing bigger than her dreams of stardom are the show’s numerous dance breaks supplied by Harry Warren and Al Dubin’s score. Michael Stewart and Mark Bramble’s book is the tale as old as time in show business of what happens when an inexperienced understudy takes over for a seasoned star. What happens is musical theatre magic that has been enchanting audiences since legendary director Gower Champion’s original 1980 Broadway production. 42nd Street also plays the Rockwell Theatre from March 16-25.

As usual, Point Park offers as much variety in genre, setting, and subject matter in their play selections for the season as they do in their musical selections. Whether contemporary or classic, the scripts illuminate points of views of a diverse group of characters.

WebPosterMOORSIn the case of Jaclyn Backhaus’ You on the Moors Now, playing at the Studio Theater from November 10-December 3, those characters are rather well known. Jane Eyre, Lizzy Bennet. Cathy Earnshaw, and Jo March are no longer just well-established fixtures of high school English class syllabi. Backhaus imagines the four 19th century literary leading ladies running away together and comparing notes on what their experiences in life have taught them. The women exist in a sort of timeless state where modern references and profanity are fair game for their epic girl talk session.

WebPosterALBAThe five women in Frederico Garcia Lorca’s The House of Bernarda Alba would most likely also benefit from a vacation from their dissatisfying lives. They are all sisters who spend their time dreaming of getting out of their mother’s house and truly experiencing life. Their routine is broken by the appearance of town hunk Pepe el Romano and his flirtation with the family’s eldest sister. Desire under the Bernarda Alba’s roof proves to be a dangerous thing that sets the stage for a frank look at the ways in which members of the opposite sex relate. The House of Bernarda Alba plays at the Rauh Theater from February 23-March 11.

WebPosterDEVILRussian literature served as the inspiration for Pulitzer Prize winner David Lindsay-Abaire’s black comedy A Devil Inside. This gory romp sees Gene receiving far more than just cake on his 21st birthday. His mother finally reveals the truth behind his father’s death—he was murdered!—and insists that it is Gene’s duty to avenge him. He’s simultaneously disturbed by the request and distracted by his infatuation with Caitlin, who lusts after her Russian literature professor who lusts after the blood of his nemesis. For the non-squeamish, A Devil Inside runs at the Studio Theater from February 2-18.

The final two shows are either adaptations or translations of well-known works and living, breathing proof that theatre is an ageless, universal language.

WebPosterMAGIThe Gift of the Magi, adapted by Jon Jory, opens at the Rauh Theatre just in time for the holiday season. From December 8-17, you can learn the valuable lesson at the center of the story of Della and Jim Young. They are a young couple struggling to make end’s meet, but who are still determined to make Christmas special for one another by purchasing the perfect gifts. As with most stories set around that time of year, the true meaning of the season is explored to touching effect.

WebPosterVANYALast but not least is Anton Chekhov’s Uncle Vanya playing from April 6-15 at the Rauh Theater. It’s an example of one of Chekhov’s estate dramas that features as much unrequited love as you can fit on a single stage. The enchanting Yelena is the object of two men’s affections. Unfortunately, they are crippled by profound existential crises exacerbated by the facts that she’s married and the estate, on which Vanya, one of the men, lives, is about to be sold. It’s all in a day’s work for a Chekhov character.

Along with The Scottsboro Boys, Kiss Me, Kate, and A Devil Inside, one performance of Uncle Vanya will be followed by a lecture in a completely new series called Freud on Forbes. Representatives from the Pittsburgh Psychoanalytic Center will take audience members into the writers’ brains armed only with the text of the script. These talks are sure to take your post-show conversations with friends to the next level. And that’s fitting because Point Park University’s Pittsburgh Playhouse 2017-2018 season of shows seeks to do the same thing for theatre.

For tickets and more information on the Pittsburgh Playhouse’s upcoming season, click here. 

5 Holiday Shows You Don’t Want to Miss

December has crept up on us faster than the Grinch stole every last present in Whoville. Luckily for us, the holiday season in Pittsburgh means some of the best, festive shows around. We’ve rounded up a few of our favorite upcoming productions that are sure to fill you with holiday cheer, whether you’re Buddy the Elf or Mr. Scrooge.

Midnight Radio’s Holiday Spectacular!, Bricolage Production Company

Midnight Radio’s Holiday Spectacular!Holiday radio programs have been a nostalgic staple in this country ever since kids were decoding crummy commercials for Ovaltine in the 40’s. Bricolage Production Company  continues their popular series, Midnight Radio, to bring this beloved Christmas entertainment to life! Midnight Radio’s Holiday Spectacular! is in the form of a 1940’s radio broadcast where you are the live studio audience. Raucous humor, classic stories, and Pittsburgh-themed spoofs can be expected every night, but be sure to check the schedule for special events like an Ugly Sweater Contest, photos with Mr. & Mrs. Claus, local musical guests, and a hands-on sound effects workshop! The show runs downtown from December 1- 17.

The Nutcracker, Pittsburgh Ballet Theater

Pittsburgh Ballet Theater’s brings the Tchaikovsky’s classic, The Nutcracker, closer to home. Rather than the 19th century Germany setting, this version begins in a beautiful old home in Shadyside during the Gilded Age. A number of characters and props are homages to famous Pittsburghers like Heinz, Carnegie, and especially the Kaufmanns, and the set will give you a glimpse of the Mt. Washington view from a hundred years ago. Stunning costumes, choreography, moving sets and magic tricks never fail to delight audiences of all ages. Don’t miss this dazzling, dancing tradition at the Benedum, December 2- 27.

A Christmas Carol, Little Lake Theatre

Don’t be fooled– this isn’t the same story you’ve heard before! In this funny little twist from Little Lake Theatre, a comedic adaptation of this Dickens’ favorite is done a la Groundhog Day, as Scrooge is forced to relive his ghostly Christmas Eve journey year after year. A Christmas Carol is the perfect family festivity from a faithful cast that considers performing at Little Lake to be part of their own holiday traditions. This show will be shaking things up like the bells on Santa’s sleigh, so go see it from December 1- 18.

 

The Best Christmas Pageant Ever, Pittsburgh Playhouse

The Best Christmas Pageant Ever: The MusicalPoint Park University’s Conservatory Theatre Company brings you this unconventional Christmas comedy. The Best Christmas Pageant Ever  follows the six Herdman children, AKA the “worst children in the world,” who have been known to shoplift and smoke cigars. Upon hearing that snacks are served at church, the children weasel their way into playing in their Sunday School’s annual Christmas pageant, and chaos and holiday hilarity ensue. This show runs December 9- 18 at the Pittsburgh Playhouse.

 

Naughty or Nice 2: A Holiday Concert, PARK Productions

Sugar, spice, and everything (naughty or) nice. PARK Productions is continuing their successful holiday extravaganza, featuring all kinds of holiday tunes performed by a pianist, and you! Yes, you! “Naughty or Nice 2” is an open-mic show encouraging audience sign-ups from groups and individuals to perform any Christmas carol of their choosing– but the “raunchier the better.” This show is one of a kind and ONE NIGHT ONLY on December 10th at The Cabaret. Get tickets and sign-up to perform here, because we all know that the best way to spread Christmas cheer is singing loud for all to hear.

 

Tickets for all of these shows are on sale now! Get yours and get in the Christmas spirit. Plus, stay tuned for our reviews of these shows and so much more this season!

Oh, and remember…

 

Collegiate Preview 2016

Collegiate Logo

College campuses throughout the city are springing back to life with students moving into their dorms, buying books and preparing for another semester of learning. With schools gearing up for fall term we want to make sure our readers are in the know when it comes to Pittsburgh’s collegiate  stage productions. Our first ever Collegiate Preview covers the four major universities and what they have to offer audiences the 2016-2017 season.

Point Park’s upcoming Conservatory season includes The Who’s Tommy, The Sea, The Best Christmas Pageant Ever: The Musical, Big Love, Sweet Charity, and Uncle Tom’s Cabin or the Most Popular American Play You’ve Never Seen. Plus some some surprises from the REP and the Conservatory Dance Company. Read more about what the Pittsburgh Playhouse’s 2016-2017 season has for us here.

The University of Pittsburgh Stages’ 2016-2017 season brings us a nice mix of classic musicals and modern plays. Pitt’s upcoming season includes Intimate Apparel, Hair, The 25th Annual Putnam County Spelling Bee, Baltimore, and Peter and the Starcatcher. Click here to see what we’re in for this school year!

Carnegie Mellon University’s subscription series includes The Playboy of the Western WorldThe RoverRagtime, and The Three Musketeers.  Plus bonus Director Series and New Work Series! Check out what CMU will be bringing us here.

Duquense Univeristy’s Red Masquers has big plans this season starting with Avenue Q, How I Learned to Drive, Rust, Bloody Bloody Andrew Jackson, Proof, and True West. Finishing off the school year with a weekend of One Acts for Charity. Click here to find out more!

Follow along with our Collegiate adventures on our Facebook, Twitter, and Instagram with the hashtag #PITRUniversity!