Solos Going Steady at the Fringe

Fringe Day Two kicked off with my extremely questionable choice to bike over to the north side despite it not being nearly as warm as I wanted it to be. After stopping at James Street for my now-customary pre-show beer (two times counts as a custom, right?) I locked up my bike outside Allegheny Inn and headed inside to join the Hugging Army.

The Hugging Army: An Experience in Connection is a storytelling performance by Vanessa White Fernandes, who shares her experiences offering free hugs to people over the last several years. For an intimate experience like this, the living room of the Allegheny Inn bed & breakfast is an ideal setting. Sitting on the couch, White Fernandes invited the audience to pull their chairs in closer and form a circle. As she discusses her thoughts and memories, she cycles through a series of pictures illustrating key points or meaningful moments.unnamed (6)

The goal of The Hugging Army is to help people feel a connection with other people, whether they’re strangers or someone you already know. So naturally, the show ends with an invitation to hugs all around. I happened to be sitting next to Laundry Night’s Captain Ambivalent, so I can report to you, dear readers, that that dude is a good hugger. During the show we were told that a good hug lasts for three breaths, and he stayed in for all three. No hesitation.

Unsurprisingly for a person who spends her time hugging strangers, White Fernandes does a good job of making the audience comfortable in what feels more like a conversation than a performance. And sharing long hugs with seven or eight fellow theater-goers in a bed & breakfast is honestly a great way to warm up after a chilly bike ride.

My second event of the night was Proxemics, upstairs at AIR. Proxemics is a short visual art performance by fabric sculptor Hannah Thompson. I’m just
going to walk you through my train of thought on this one, because it has been my biggest Fringe-venture unnamed (8)surprise so far. When I read the description the other day I saw the sentence “The sculptures have bodily connotations challenging the concept of proximity,” and thought “This is going to be weird and I’m not even remotely artistic enough to know how to appreciate or write about it.” But hey, it’s Fringe, so I’m game for anything.

Sitting on the floor of AIR’s upstairs gallery, I was able to chat for a couple minutes with the artist and some other people in the audience. She’s a Pittsburgh native, and had just returned from a residency of Proxemics out in Spokane, Washington. The performance itself consists of Thompson wearing several of her creations, moving her body and changing positions within the colorful, stretchy fabric to create changing images. She also has some kind of electrical apparatus that changes the sound generated by an amp on the side of the space depending on its position. I was seriously enthralled. If we’re being honest, I’m not sure I got the full message of the piece, but as a visual experience, it’s really striking. The performance only lasts twenty minutes, and it feels much shorter. I’d definitely recommend seeing this if you have a chance.

To finish out the night, I stayed at AIR for The Portable Dorothy Parker. Three one-woman shows in one night! TPDP, written by Annie Lux, features Margot Avery portraying the writer as she selects the pieces to be included in a collection of her works. Quips and poems are excerpted as she reminisces to her unseen and unheard editor. I’m not super familiar with Dorothy Parker (do I have to turn in my NYC ID after that admission?), but Lux’s dialogue and Avery’s performance definitely matched the tone of what we heard of her actual writings. And both are very funny – my “ooh, I’m totally using that line” reflex was triggered several times.unnamed (9)

While the writing and acting were both strong throughout, it did feel a little longer than it needed to be. That might have been a result of seeing it as a late show after several shorter ones, so take it with a grain of salt. The Portable Dorothy Parker plays again at AIR Sunday afternoon, and this summer in Edinburgh. So if you happen to be in Scotland in August, stop in and give it a shot!

Epilogue: I ran into Hannah Thompson on my way home. Hats off to her for impressive memory skills. Recognizing a beardy white dude on a bike in the Strip as someone from a performance hours earlier is pretty amazing. There’s about a million of us out there.

Stay tuned for more Pittsburgh Fringe fun! Follow along with our adventures through our FacebookTwitter, or Instagram using the hashtag #PITRdoesFringe 
Special thanks to the Pittsburgh Fringe Festival for complimentary press passes. For tickets, day passes, and more information, click here. 

Friday Fringe at AIR!

17636851_781096878709340_3255313992491545639_oThe evening began with the ridiculous but thoroughly entertaining one man show Laundry Night by Captain Ambivalent.  Captain Ambivalent sings with the accompaniment of a gold accordion,  telling the story of an ordinary super hero.  The one man show reflects on the struggles of being a regular guy in Chicago, through lyrics reminiscent of They Might Be Giants or King Missile.  Sharing experiences of heartbreak, boredom and public transit as well as his rise to local fame, and a brief stint on America’s Got Talent. His costumes and props, including a 15’ purple inflatable dinosaur(not Barney) compliment the silliness of his lyrics.  The show is amusing and certainly a production all ages will enjoy.  Of course in Pittsburgh, everyone loves the the accordion.  All music performed is original, except for the famed 1989 hit by Technotronic, Pump Up the Jam, which is beyond hilarious played on an accordion.  

Next up, is Melissa Cole’s Mo-to-the-Oncle.  The story begins when Detroit img-2737Price loses his vision insurance, just at the time his teenage son, Detroit Price Jr. is in need of new glasses.  When Price reveals to the eyewear associate he has no vision coverage for his son, Detroit Jr is provided with a monocle in place of eyeglasses. The teen is horrified at the abuse he anticipates upon returning to school with a monocle. He goes to school only to have his greatest fear come true.  Another student threatens to jump Detroit Jr, so he elicits the help if his uncle, a pimp.  

Through detailed costume changes, voice reflection and finely tuned body language Cole expertly presents each character; father, optical sale associate, teenager, pimp and doctor.  The program lists Mo-to-the-Oncle as a comedy.  Detroit Jr’s rhyme is clever, the colorful characters depicted by writer/ performer Cole are well developed, the dialogue is sharp but in today’s political climate, to clarify this is a dark comedy.

Proxemics, a wearable art performance by local Pittsburgh fabric sculpturer hannah-thompson_origHannah Thompson is performed on the 3rd floor at AIR, in the gallery exhibiting Visual Fringe 2017 artists. By definition,  Proxemics is the study of humans use of space and the effects of population on behavior, communication and the ways in which humans interact with one another. I was intrigued by the synopsis in the program, I enjoy how performance art challenges my perceptions. Unfortunately, this performance was tarnished for me before it even began.  The artist arrived late, experienced technical difficulties with her music and as she prepared her props, she casually engaged other audience members in conversation about her political positions. When launched, the performance consisted of Thompson climbing into several elaborate cocoon-like stretchy ‘Snuggie’s’. Then she rolled around on the floor, extending her arms and legs or stood and stretched inside the long tubes of fabric.  Maybe she was practicing yoga or some form of free movement dance.  No one else in the audience seemed bothered.  Others mingled around after the 20-minute show engaging the artist in conversation and asking questions.  Performance art? Definitely, but definitely not my thing.

The Pink Hulk: One Woman’s Journey to Find the Superhero Within is written valerie-david-the-pink-hulk-richard-booper-photography-pressand performed by Valerie David, 2 time cancer survivor and improv artist.  Part anecdotal comedy and 100% personal narrative, solo artist David shares her terror,  frustration, depression and anger after learning she is diagnosed with breast cancer just weeks after celebrating her fifteenth anniversary of being cancer free from Lymphoma.  David bares her soul and owns the stage as she reveals the darkest time of her life; a direct attack on her womanhood; breast cancer diagnosis and treatment.  She holds back nothing, is brutally honest and frank. This is uncomfortable and frightening but David’s skill for storytelling puts me on the edge of my seat, almost immediately feeling an alliance with her.   She uses minimal props and I am tempted to say, they could actually be eliminated altogether as her narrative and stage presence are engaging enough.  

pittsburgh-image-2The Portable Dorothy Parker written by Annie Lux is a flashback in time.  The year is 1944, New York.  Writer Dorothy Parker is visited by a young editor for Viking Press, tasked to help edit the soon to be released The Portable Dorothy Parker.  Parker reflects on her time working for Vanity Fair, her friends and enemies, and the places she visited and shares these experiences and stories.   Actor Margot Avery portrays Parker over the course of the eighty minute solo performance.   Avery delivers Parkers witticisms and a straightforward rendition of her life and career with brilliant ease.  Avery reincarnates Parker on stage, and Lux channels her intellectual poise and intelligent cynicism through the script. The show, directed by Lee Costello is smart and moves fast despite being nearly an hour and a half of monologue.  

Avery’s ability to capture and exhibit Parker through delivery of dialogue, body language and slight movement are further captured through the use of period dress.   If you are a Dorothy Parker connoisseur, do not skip this performance.

Stay tuned for more Pittsburgh Fringe fun! Follow along with our adventures through our FacebookTwitter, or Instagram using the hashtag #PITRdoesFringe 
Special thanks to the Pittsburgh Fringe Festival for complimentary press passes. For tickets, day passes, and more information, click here.