Spamalot

spamalotI love musicals for the interlude of melodrama and escape they provide from my tragically mundane life. The singing and dancing, costumes, and live orchestra swelling between me and the stage make my heart happy. Opening night of Stage 62’s production of Monty Python’s Spamalot has me beyond excited. This is my first time seeing Spamalot but I am familiar with the zany British sketch comedy of Monty Python and the absurdist humor that forces you to laugh, even if you aren’t sure what you are seeing and hearing is stupid beyond measure or ridiculously hilarious. As I wait for the curtain to rise, I can’t imagine disappointment.

Rob James and Carl Hunt
Rob James and Carl Hunt

Spamalot is a parody of the 1975 film, Monty Python and The Holy Grail. Theatergoers who have never seen the film will not be left in the dark. The musical, ‘lovingly ripped off from the motion picture’, maintains much of the plot of the film, (or what there is of a plot amongst the craziness of smutty French soliders, a killer rabbit, knights who say “Ni” and the impossible task of locating Jews for a Broadway musical). Spamalot takes place in 932 A.D. England, when King Arthur, played by renowned Rob James and the animated Carl Hunt cast as his servant Patsy, traverse the country in search of recruits for the Round Table at Camelot. King Arthur’s first 2 volunteers, Matthew Rush as Robin and Jeremy Spoljarick playing Lancelot are soon followed by a political radical, Sir Galahad played by Chad Elder and Nick Mitchell as Sir Bedevere. After some convincing by, leading lady, Stephanie Ottey as The Lady of the Lake and her Laker Girls the troupe arrive in Camelot. Once there they are contacted by God, the voice of Marcus Stevens, fresh from the Pittsburgh Public Theater’s prominent performance An Act of God, who instructs the knights to locate the Holy Grail. The men receive more encouragement from The Lady of the Lake and set off traveling the land, visiting a French castle, a dark and “very expensive” forest, and a frightfully comic run in with The Black Knight.

L-R Nick Mitchell, Matthew J. Rush, Rob James, Jeremy Spoljarick, Carl Hunt, Chad Elder
L-R Nick Mitchell, Matthew J. Rush, Rob James, Jeremy Spoljarick, Carl Hunt, Chad Elder

The Knights of the Round Table are next tasked with finding Jews for a Broadway musical then Lancelot runs off to rescue a damsel in distress and The Lady in the Lake is ticked off for not getting enough stage time. All of these experiences are expounded through madcap musical numbers, some ripping off other well known musicals. Songs such as “I Am Not Dead Yet”, “The Song That Goes Like This”, “Knights of the Round Table”, “You Won’t Succeed On Broadway”, “Whatever Happened to My Part?” and “His Name is Lancelot” will without a doubt cause laughter. There is so much more hair- brained chaos I would hate to spoil the show by revealing too much, but I assure you, with the help of the audience, the Holy Grail is found and a Broadway-esque musical is successfully performed, nonsensical perhaps but loads of fun.

Stephanie Ottey
Stephanie Ottey

Typical of Stage 62 productions, Spamalot’s cast is bursting with talent. Aside from James and Ottey, each lead is cast in multiple roles, which requires many costume changes and sometimes different accents and it all appears effortless. The cast includes many accomplished thespians, but it is without a doubt James and Ottey who steal the show. Their strong voices and mastered characterization are delightful to watch. Ottey’s diva flourish and Jame’s execution as King, provide moments of side stitching hilarity. The ensemble is a tight bunch, especially The Laker Girls. After seeing several musicals at Stage 62 I am confident in reporting the choreography for Spamalot is by far the best I have ever seen. Hats off to choreographer Devyn Brown for creating routines that are energized and engaging, especially, ”Fisch Schlapping Song”, “I Am Not Dead Yet”, “Knights of the Round Table” and “His Name Is Lancelot”. Becki Toth’s skilled stage direction allows the cast to emanate ease in movements and smooth scene changes on a small stage, all of which translate into a show well done.

I will offer you with a trigger warning: if easily offended by the offensive, if you are uncomfortable with bawdy jokes, parodies, preposterous plots, ‘little boy’ type humor often revolving around flatulence, then perhaps you might lighten up just a bit. This is a summer show you don’t want to miss. Spamalot does not make much sense but that doesn’t matter. The show is for grins, starring a tremendously talented cast and crew who clearly aim for having as much fun on stage as the audience does watching them.

If planning to attend a performance of Spamalot be aware that the venue has a major construction project happening right now and there is no parking on their property. Neighborhood side streets may offer a few spaces. The theater company has a shuttle service that will transport you from the parking lot on Main Street in downtown Carnegie, up the hill to the entrance of their building.

Spamalot runs at the Andrew Carnegie Free Library and Music Hall through July 30. For tickets and more information click here

Special thanks to Stage 62 for complimentary press tickets. Photos courtesy of Friedman Wagner-Dobler.

PITR’s Top 5 Picks for Summer 2017

Let’s dive right into our Top 5 shows we’re looking forward to this summer!

Marcus Stevens (2)#5 – An Act of God – Pittsburgh Public Theater: A relatively new play, premiering on Broadway in 2015, An Act of God is a one-act comedy that originally started out as a series of tweets that evolved into the book of which the play was adapted from. Point Park University graduate Marcus Stevens plays God, joined by his sidekicks: angels Gabriel and Michael (John Shepard and Tim McGeever), in this comedy opening at the Pittsburgh Public June 9. For tickets and more information click here. 

#4 – Mr. Burns, a Post-Electric Play – 12 Peers Theater: Once you catch 12 Peer’s current production of Thom Pain: Based on Mr. Burns ImageNothing starring Pittsburgh’s own Matt Henderson, we’re sure you’ll be itching to see what else they have to offer. Opening August 3, Mr. Burns shoots us some years into the future after the apocalypse where we meet a handful of survivors trying to recreate a particular episode of “The Simpsons”. Fast forwarding into the future for Act 2, and even further for Act 3,  these reenactments become main forms of entertainment and eventually myths decades later. For tickets and more information, click here. 

#3 – Hot Metal Musicals – Musical Theatre Artists of Pittsburgh (MTAP):Since Email-Blast-Image-c.PG-Web1-copyits creation, MTAP has set out to help create and promote new musicals and the artists creating them in Pittsburgh. The incubator was established in 2011 by Erik Schark and is now currently led by executive director Stephanie Riso, managing director Jeanne Drennan, and advisor Steve Cuden. The first Hot Metal Musicals showcase in 2015 was one of our first major events of that year, and after seeing the talents Pittsburgh had to offer then, we’re sure this year’s showcase on July 17 will knock our socks off. For tickets and more information click here. 

#2 – Momentum Festival – City Theatre Company: City Theatre, known as yt17-momentum-featurePittsburgh’s home for new plays, delivers on their promise to keep things fresh and new again this year by finishing out their season with their annual page-to-stage festival: Momentum. Featuring 5 different staged readings, this year’s lineup will include not one, but two shows in progress that will be fully produced in their 2017-2018 season. Hop in for a meet and greet and a staged reading this weekend starting June 1! For more information, click here!

18556456_10155486793559873_589745343035013449_o#1 – WordPlay – Bricolage Production Company: Sure, for the second year in a row, we’ve named Bricolage’s storytelling show WordPlay the #1 show we’re looking forward to this summer. But this time, WordPlay is no ordinary WordPlay. This time, Bricolage as team up with PERSAD CENTER, the nation’s second oldest licensed mental health counseling center specifically created to serve the LGBTQ community. Featuring tunes by Tracksploitation and stories by Nyri Bakkalian, Brian Broome, Cindy Howes, kelly e. parker and Ciora Thomas. And, as usual, hosted by Creator and Co-Producer Alan Olifson. Don’t miss out on this special edition WordPlay this weekend, starting June 2. Tickets and more information can be found here.

Summer Preview 2017

Summer Logo

A Letter from the Editor,

I would like to wish a happy unofficial start of summer to our marvelous readers! Because of you, we made it through another year here at Pittsburgh in the Round! As a special treat, we’ve put together one of our best season previews yet, including updates from old friends like MTAP and the Pittsburgh CLO, new friends like Split Stage Productions, and not one, but two Artist Spotlights!

Summertime is one of the busiest times of year for the Pittsburgh theater community, making it one of the busiest seasons for us here at Pittsburgh in the Round. There will be no shortage of reviews and articles and you may even see a few PITR exclusives!

With the release of this Summer Preview 2017, we’d also like to announce our latest Site Sponsor, the newly renamed Pittsburgh Festival Opera (formerly the Opera Theater of Pittsburgh). To find out more about their upcoming season, keep scrolling! If you or your theater or business would like to be featured in any of our advertising spots, please don’t hesitate to contact us at info@pghintheround.com!

Our team here keeps on growing so we’ll have plenty of content to keep you busy this summer. We would love to take this opportunity to thank all of you who continue to read the content we work so hard to bring you, engage with us on social media, and support all of these local theaters and companies that help the arts grow and thrive in Pittsburgh.

Here’s to another great summer,

Mara E. Nadolski
Editor in Chief, Pittsburgh in the Round


Let’s dive right into our Top 5 shows we’re looking forward to this summer!

Marcus Stevens (2)#5 – An Act of God – Pittsburgh Public Theater: A relatively new play, premiering on Broadway in 2015, An Act of God is a one-act comedy that originally started out as a series of tweets that evolved into the book of which the play was adapted from. Point Park University graduate Marcus Stevens plays God, joined by his sidekicks: angels Gabriel and Michael (John Shepard and Tim McGeever), in this comedy opening at the Pittsburgh Public June 9. For tickets and more information click here. 

#4 – Mr. Burns, a Post-Electric Play – 12 Peers Theater: Once you catch 12 Peer’s current production of Thom Pain: Based on Mr. Burns ImageNothing starring Pittsburgh’s own Matt Henderson, we’re sure you’ll be itching to see what else they have to offer. Opening August 3, Mr. Burns shoots us some years into the future after the apocalypse where we meet a handful of survivors trying to recreate a particular episode of “The Simpsons”. Fast forwarding into the future for Act 2, and even further for Act 3,  these reenactments become main forms of entertainment and eventually myths decades later. For tickets and more information, click here. 

#3 – Hot Metal Musicals – Musical Theatre Artists of Pittsburgh (MTAP): Since Email-Blast-Image-c.PG-Web1-copyits creation, MTAP has set out to help create and promote new musicals and the artists creating them in Pittsburgh. The incubator was established in 2011 by Erik Schark and is now currently led by executive director Stephanie Riso, managing director Jeanne Drennan, and advisor Steve Cuden. The first Hot Metal Musicals showcase in 2015 was one of our first major events of that year, and after seeing the talents Pittsburgh had to offer then, we’re sure this year’s showcase on July 17 will knock our socks off. For tickets and more information click here. 

#2 – Momentum Festival – City Theatre Company: City Theatre, known as yt17-momentum-featurePittsburgh’s home for new plays, delivers on their promise to keep things fresh and new again this year by finishing out their season with their annual page-to-stage festival: Momentum. Featuring 5 different staged readings, this year’s lineup will include not one, but two shows in progress that will be fully produced in their 2017-2018 season. Hop in for a meet and greet and a staged reading this weekend starting June 1! For more information, click here!

18556456_10155486793559873_589745343035013449_o#1 – WordPlay – Bricolage Production Company: Sure, for the second year in a row, we’ve named Bricolage’s storytelling show WordPlay the #1 show we’re looking forward to this summer. But this time, WordPlay is no ordinary WordPlay. This time, Bricolage as team up with PERSAD CENTER, the nation’s second oldest licensed mental health counseling center specifically created to serve the LGBTQ community. Featuring tunes by Tracksploitation and stories by Nyri Bakkalian, Brian Broome, Cindy Howes, kelly e. parker and Ciora Thomas. And, as usual, hosted by Creator and Co-Producer Alan Olifson. Don’t miss out on this special edition WordPlay this weekend, starting June 2. Tickets and more information can be found here

If musicals are more your style, don’t worry, George has our 5 Musicals You Don’t Want to Miss this Summer here. 

Learn a little more about the people you’ve been hearing about for all these years in our Artist Spotlight series. This time around we’ve got two for you! Get the scoop on costume designer Tony Sirk and musical theater actor Quinn Patrick Shannon. 

Our opera expert George is always a regular at the Pittsburgh Festival Opera’s summer shows so he’s got the inside scoop on their upcoming season hereThey’ve even commissioned a new opera they’ll be debuting this year, Nicole went a step further and got us some more information on the new show A Gathering of Sons. 

Throughline Theatre Company has a new home and a new season to tell us about! Ringa even got a sneak peak on their 3rd show, check it out here

If our Top 5 Musicals article wasn’t enough to meet your musical needs, George caught up with Split Stage Productions and the Pittsburgh CLO!

Kinetic Theatre Company has some fun planned for us this summer and fall, check out Stephen’s preview here. 

In preparation of MTAP’s upcoming Hot Metal Musicals this July, reacquaint yourself with the Musical Theatre Artists of Pittsburgh here. 

And last, but not least, a group of young Pittsburgh artists have come together to produce a cabaret night to showcase female talent in the industry to support Planned Parenthood, find out more here. 


 

Missing something? Here are some review highlights from the last few months!

Watch: A Haunting by Real/Time Interventions

The Philadelphia Story at Little Lake Theatre

La Rondine by Undercroft Opera

Anything Goes at McKeesport Little Theater

Falstaff by Resonance Works

The Perks of Being a Wallflower by Prime Stage

Hercules Didn’t Wade in the Water at Pittsburgh Playwrights Theatre

Sive at PICT Classic Theatre

Tarzan by Pittsburgh Musical Theatre

Wife U at Carnegie Mellon Universtiy

The Summer King at the Pittsburgh Opera

What’s Missing?  by Corningworks

4.48 Psychosis at off the WALL

Collaborators by Quantum Theatre

Baltimore at the University of Pittsburgh

Sweet Charity at the Pittsburgh Playhouse

Bloody, Bloody Andrew Jackson by the Duquesne Red Masquers

Who’s Afraid of iVirginia Woolf? by Cup-A-Jo Productions

5 Musicals You Don’t Want to Miss This Summer: 2017 Edition

Our 2017 Summer Musical Preview features a mixed bag of musicals from the interactive Clue, the zany Spamalot to three “serious” musicals exploring life’s purpose; Avenue Q, Pippin and Big Fish.

18766423_1366720196752718_7747244441950438655_oDo you like board games? Then Clue is for you! This interactive musical is based on the popular game of the same name. The plot revolves around solving the murder of Mr. Brody at a mansion that is occupied by several possible suspects.

The audience deduces the solution from clues given throughout the performance. The audience chooses from 216 possibilities incorporating the potential murderers, weapons and rooms! Only one hard-nosed female detective is qualified to unravel the merry mayhem. Even after the culprit confesses, a surprise twist awaits.

Clue: The Musical by the Summer Company. Directed by Justin Sines at the new Genesius Theater on the campus of Duquesne University. Performances run June 15th through the 25th

Tickets: $15 general admission, $10 seniors, $5 students available at the Box Office or online here.

spamalotIf Stage 62’s rollicking production of Peter and the Starcatcher is any indication of their ability to do comedy, then their take on Monty Python’s Spamalot is bound to be a hysterical funfest. Spamalot borrows from, well honestly it actually rips off, Monty Python and the Holy Grail transforming the legend of King Arthur and the Knights of the Roundtable into a classic Broadway musical. Of course there are showgirls, knights, cows and fabulous French people. Did I mention the killer rabbits?

Spamalot presented by Stage 62. Performances Thursday to Saturday, Jul. 20th to 22nd and 27th to 29th at 8 p.m., Sunday Matinees on July 23rd and 30th at 2 p.m.

Laugh until it hurts at the Andrew Carnegie Free Library & Music Hall in Carnegie, PA

Tickets:  Adults: $20, Students/Seniors: $15 available here.

pippinThe Tony Award winning Pippin is the story of a young prince and heir to the throne, who is searching for his own “corner of the sky” as told by a traveling troupe of actors led by the cunning and charming Leading Player. After he returns from college, Pippin searches for a fulfilling purpose in life. The Leading Player encourages Pippin to experiment: dabble in bloody battles, go for licentious and lusty sexual entanglements, and try out savvy political maneuvers. Despite his adventures, Pippin discovers that finding one’s life significance is really way more complicated than he thought. There are as many interpretations as to the shows meaning, as there are productions. Watch and see if you can figure it out.

Carnegie Mellon alumni Stephen Schwartz wrote the now classic show tunes originally while at CMU as a student production. Rumor has it not one word or note from the original CMU production made it to the Broadway version!

Pippin is in residence the Theatre Factory in Trafford, PA with performances July 7th through 23rd at 8 p.m. and Sunday the 17th and 23rd at 2 p.m.

Tickets: Adults $18, Seniors & Students $16, visit www.theatrefactory.com or call 412-374-9200

ave qImagine if Sesame Street was for adults. This is the premise of Avenue Q, a place where puppets are friends, Monsters are good and life lessons are learned. Avenue Q is the winner of three Tony Awards for Best Musical, Best Book and Best Score. The show tells the story of Princeton, a lad just out of college who moves to a sketchy apartment way out on Avenue Q.

Instead of “10-9-8-7-6-5-4-3-2-1” and “One of These Things is Not Like the Other”, Avenue Q serves up “We’re all a Little Bit Racist”, “The Internet is for Porn”, “It Sucks to be Me”, and I’m Not Wearing Underwear Today”. Princeton and his newfound Avenue Q friends, all who grew up as unique people; searching for jobs, dates and their ever-elusive purpose in life.

The Alumni Theater Company is comprised of all Black performers.  Like most musicals, Avenue Q was not written by or for Black people. According to Alumni Founding Director Hallie Donner  “The cast and creative team are working together to bring meaning and relevance to this performance from the perspective of young Black Americans.”

Donner says “Avenue Q is about twenty-something’s finding purpose in life. That couldn’t be more relevant to us. Yet the show’s casual attitude of “just relax” and let life happen to you and it will all work out is very much a viewpoint created through the lens of white privilege.  We look forward to challenging audiences with our take on this theme.”

The Alumni Theatre Company’ production of Avenue Q is located at the New Hazlett Theatre in the North Side with performances on July 28th, 29th, and 30th. For tickets visit https://www.artful.ly/store/events/11504  

big fishFront Porch Theatricals is excited to put Big Fish in the directing hands of Pittsburgh native Spencer Whale, a vibrant young storyteller and Cornell University graduate.

Big Fish is a magnificent whopper of a tale that centers on Edward Bloom, a traveling salesman who lives life to its fullest… and then some! Edward tells incredible, larger-than-life stories that thrill everyone around him. His adult son, Will, is no longer amused by his father’s fantastical tales and insists on a rational rather than an exaggerated account of his father’s life. When Edward’s health declines and Will learns that he and his wife, Josephine, will have a son of their own, Will decides to find out his father’s “true” life story, once and for all.

Big Fish is a heartfelt, powerful, and truly magical musical about fathers, sons, and the stories that we use to define our identities.  Big Fish is a show that’s richer, funnier and BIGGER than life itself.

This will be Whales’s return to musical theatre in Pittsburgh after he won a Gene Kelly Award for Best Actor in a Supporting Role when he was a student at North Hills High School before he attended Cornell University. Billy Hartung plays Edward Bloom and Kristiann Menotiades is his wife Sandra.

Big Fish by Front Porch Theatricals at the new Hazlett Theatre on the North Side. Performances run August 18th to 27th. Tickets: Adults: $30 online; $35 at the door; Students, Groups and Artists; $24 and are on sale now on ShowClix! https://www.showclix.com/event/big-fish

It looks like we are in for an interesting Summer Musical season again this year! Enjoy.

We would love to hear from our readers and follow along with your theater adventures so keep in touch with us on our FacebookTwitter, or Instagram using the hashtag #SummerwithPITR.

And don’t forget to sign up for our email blasts here. 

Peter and the Starcatcher

peterstarcatcher300x300You are correct, there has been a “boatload’ of Peter and the Starcatcher productions this summer, three in fact.  I must confess I did not see Little Lake or the University of Pittsburgh’s productions.

I did see the Broadway national tour in 2014 and the Shaw Festivals production in 2015, both left me with the feeling of “meh”.

This review of Stage 62’s charmingly clever production of Peter and the Starcatcher was for me a voyage of re-discovery.  It was as if I had never really “seen” the show before.

Starcatcher is a comedy with some music, but not a musical. There are the requisite dancing girls, in this case mermaids, played pretty much mostly by boys. The opening number to the second act is hilarious.

Without getting too much into the plot here (You can read about that in Nicole Tafe’s review of the Little Lake production in the PITR archives here) Starcatcher is the prequel to J.M. Barrie’s 1904 novel Peter Pan, about the boy who never grew up.

The story: Lord Aster (J.P. Welsh) has been assigned by the Queen of England to insure safe transport of a treasure chest full of “starstuff” known to give anyone who possesses it the ability to realize his or her dreams.  Aster devises a plan to ship two identical chests on two different ships by two different routes to insure safe delivery. He dispatches his daughter Molly (Casey Duffy), a Starcatcher-in-training, on the ship Never Land and he takes the trunk with the real starstuff on the Wasp. Unbeknownst to Lord Aster and Molly, the trunks are switched by pirates before the ships set sail and Never Land holds the goods.

The Never Land’s crew is actually pirates, led by Black Stache (Brett Goodnack) and in addition to the trunk with the real starstuff. The Pirates also have three orphan boys held prisoner in the bilge of the Never Land.  And so we set sail…..

The thing that makes this production so special is the group of actors, all of them are Pittsburgher’s or graduates from our universities’ theatre programs. A few are in the early stages of their acting careers; many are very experienced having played many roles in multiple companies. What makes it work so perfectly is Spencer Whale’s creative vision and direction. The actor’s comedic timing, gestures and expressions seamlessly integrate together creating an ensemble that is a joy to watch as they are having such fun performing together.

L-R Brett Goodnack, Nate Willey
L-R Brett Goodnack, Nate Willey

Pittsburgh’s brilliant comedic actor Brett Goodnack as the silly and sinister Black Stache leads the ensemble. His stage presence keeps your eyes riveted to him and a smile on your face.

Other standouts in the uniformly strong cast include Point Park graduate Nate Willey as the Boy who becomes Peter Pan. Cody Sweet’s portrayal of Molly’s nanny, Mrs. Brumbrake, captures the sweet caring woman with a beard and a twist who can raise a pirate’s flagpole. J.P. Walsh’s portrayal of Lord Aster conjures up the classic proper British explorer and caring father. Casey Duff’s Molly is an ageless girl full of hopes and dreams, eager to prove her worth and trustworthiness. The entire cast has double if not triple duty. The orphans, Prentiss and Ted, played by Jake Smith and Charles Buescher Rowell keep their characters in perfect sync as they switch back and forth.

Nate Willey and Cast
Nate Willey and Cast

Director Whale called on old friends and colleagues Nathan Mattingly and Ellen Pyne for the set design, reminiscent of ship sails and outfitted with a hoarder’s treasure trove of props, flotsam, and jetsam.  Costume Design also by Pyne is spot on. Where a dozen actors with strong physical characteristics play a hundred roles, the costuming helps us identify their character of the moment. Black Stash’s look reinforces his silly yet frightful pirate nature and Molly’s enhances her character as a young girl just transitioning to a strong young woman.

In the pit, percussionists Tony Tresky and Brendan Higgins work subtly; their background rhythms perfectly match the action without overpowering the actors.

L-R Nate Willey, Casey Duffy
L-R Nate Willey, Casey Duffy

As we were leaving the theatre, reflecting that this was one of the best shows we saw this season, I wondered how three companies had come to choose the same play to present this spring. Perhaps in troubling times, sitting together in a dark room watching silliness and wishing you never grew up is good therapy for us all.

If you haven’t seen Starcatcher yet, this production is the one to see. If you have seen Starcatcher before, by all means this production is worth a visit. Come prepared to smile till your jaw hurts, laugh till your head hurts and be sure listen carefully so you don’t miss any of the great lines.

Stage 62 presents Peter and the Starcatcher at the Andrew Carnegie Free Library & Music Hall, 300 Beechwood Avenue, Carnegie, PA 15106

 Performances Thursday through Saturday, May 11-13 and 18-20 at 8 pm, Sun. Matinees May 14 and 21 at 2 pm Tickets: Adults: $20, Students/Seniors: $15. Click here for more information. 

Our special thanks to Stage 62 for the complimentary tickets.

Stage 62 Goes to Camelot, Neverland, and More!

stage62_logoCommunity. This is the word that best characterizes a local nonprofit theater company that traces its inception back to 1962, when it began as an adult education theater project that morphed into much more. Taking residence at Andrew Carnegie Free Library & Music Hall, Stage 62 is an all volunteer-run company that strives to provide the community with quality theater for all ages that is affordable.    This year’s season will feature the plays, “Peter and the Starcatcher,” “Monty Python’s SPAMALOT” and “Anne.” The children’s musical, “Pinkalicious” was also part of the company’s season but closed in mid-February.

This year’s season will feature the plays, “Peter and the Starcatcher,” “Monty Python’s SPAMALOT” and “Anne.” The children’s musical, “Pinkalicious” was also part of the company’s season but closed in mid-February.

A typical season for Stage 62 usually includes a musical in November; a show for children’s audiences in February; a drama/comedy in May and a musical peterstarcatcher300x300in July, according to the company’s website. However, Stage 62’s members play a huge role in the selection of production titles.

“We are completely member-driven, so our membership actually gets to vote on the productions that we do,” Christopher Martin, president of Stage 62 said. “We look for submissions from our group and outside our group. …We take those specific shows to our playwriting committee, and they decide what they think will be best for the organization. [They choose] two shows per slot and vote from there.”

Because volunteers are the backbone of Stage 62, cost and the interest it will attract from the community also heavily influences the selection of production titles.spamalot300x300

“We have to balance what we think will make money and what will be exciting and engaging for our audiences and volunteers,” Martin said.
The members of Stage 62 also try to choose show titles that the company’s volunteers and directors have an interest in producing.

“We sometimes would have something picked but not have someone who had a passion to do the show,” Martin said. “We always try to have a core staff or director in mind for the show.”

Once a season has been narrowed down and show titles have been selected, the artistic direction and vision for the production and how it will be interpreted, is left up to the director.

annie300x300Stage 62’s upcoming production, “Peter and the Starcatcher” is based on a novel by Dave Berry and Ridley Pearson and provides the back story of the well-known children’s movie character, Peter Pan.

“One of the reasons we like the show is it is simple,” Martin said. “A lot of it is done with simple props and imagination.”

For its summer show, Stage 62 likes to put on a “fun-rousing” musical, and that’s where “Monty Python’s SPAMALOT” comes in, a musical comedy  adapted from the 1975 film “Monty Python and the Holy Grail.” Goofy comedies tend to equal success for Stage 62, according to Martin, and the Monty Python title the company selected for this season fits the bill.

For the fall, Stage 62 typically selects a classic film, and “Annie” is about as classic as it gets. With the permission of The Tribune Media Services, Inc., the musical “Annie” is based on the comic strip Little Orphan Annie and will be presented through a special arrangement with Music Theatre International.
Stage 62 has a reputation of providing audiences with stage productions that are well-executed, interesting and fun and accessible to the broader public, and that’s exactly what you will get with the company’s 2017 season lineup.
“Peter and the Starcatcher” opens May 11 and runs through the 21st, followed by “Monty Python’s SPAMALOT,” which premieres July 20, and “Annie,” set for November 9.

For tickets and more information about Stage 62, visit their website, http://www.stage62.com/season/.

Winter Preview 2016

Snowflake 6
A letter from the Editor

To our beloved readers,

The countdown has begun; there are just 21 days left until the first day of Winter and we have put together a preview sure to prepare you for a holiday season of new and exciting theater experiences. Even though things start to slow down in the winter, there are plenty of things to keep you entertained during the cold, dark evenings as Pittsburgh’s warm theater community invites you to step in from out of the cold and catch a show. There is plenty of holiday themed fun and even a few new plays to choose from this Winter season!

Beyond this preview, stay tuned for continuous coverage of Pittsburgh theater. We will be checking in with local companies, some new to the scene and some seasoned veterans. We will also continue to introduce you to the people that make up Pittsburgh’s vibrant theater community through our artists spotlight series.

On a business related note, we are officially a legal entity (LLC) recognized by the government (AKA the IRS, OMG!). Remember, if you would like to sponsor the site or purchase advertisements on the site, contact info@pghintheround.com.

Again, we want to thank those of you that have and continue to support us through your donations to our previous fundraising campaign, your engagement with us, and simply being readers. Most importantly, we want to thank you for supporting local theaters and companies and helping the arts grow and thrive in Pittsburgh.

We would love to hear from our readers and follow along with your theater adventures so keep in touch with us on our FacebookTwitter, or Instagram using the hashtag #WinterwithPITR.

Happy holidays from all of us here at Pittsburgh in the Round, now get out there and enjoy some theater!

Mara E. Nadolski

 


Let’s start off with the Top 5 shows we’re looking forward to this winter!

#5 – Eugene Onegin by Undercroft Opera: Usually sung in French, 10 year oldOneginPoster Undercroft Opera will be presenting this Tchaikovsky masterpiece in Russian as a concert. Originally premiering in Moscow in 1879, this story of unrequited love and regrets was last produced in Pittsburgh by the Pittsburgh Opera in 2009. Undercroft, a company known for giving performers “opera-tunities”, brings many opera veterans to the stage in this one night only event. Last seen in the Pittsburgh Savoyards’ production of Gianni Schicchi,  Eugene Onegin will bring Ian Greenlaw and Katie Manukyan together on the stage once again. For tickets and more information, check out Undercroft’s website here. 

#4 – Who’s Afraid of Virginia Woolf by Cup-a-Jo Productions: On the heels of their innovative 404501_10150601331240797_648691161_nproduction of Titus AndronicusCup-a-Jo brings us another twist on an old classic. A not-so-fun night of drinks with new colleagues turns dark and disastrous in the late Edward Albee’s absurdist drama. Starring company founder Joanna Lowe and Brett Sullivan Santry, Cup-a-Jo will drag us into an immersive universe complete with signature live music and of course, cocktails. Literally set within a living room, this production will give audiences “ultimate uncomfortable voyeuristic experience” says Lowe. Dates and more details to come, but for more information about Cup-a-Jo, click here.

#3 – The Lion in Winter by PICT Classic Theatre: The classic Christmas tale of King Lion-Final-WebHenry II and his dysfunctional family weaves through politics, conspiracies, and ruthlessness. The cast includes Pittsburgh favorites like Karen Baum and Tony Bingham, even PICT’s Artistic Director Alan Standford graces the stage as Henry himself in the company’s third production in their new space at the Union Project in Highland Park. As always, PICT is “committed to the creation of high-quality, professional thought-provoking theatre of substance” and we’re confident this production will be no different. The Lion in Winter begins previews Thursday December 1, for tickets and more information click here. 

#2 – Lungs by off the WALL: In the second production of their Mainstage scaled_256series, off the WALL brings us more of the quick-witted dramas the company is known for with Duncan MacMillan’s Lungs. On a mostly bare set, no costume changes, and little accoutrements, Sarah Silk and Alec Silberblatt will force audiences to focus on the important themes of the text, rather than superfluous theatrics in this production. This two person drama takes us on a ride over the course of a relationship as they battle with questions about their families, their aspirations and each other. Opening December 2 at Carnegie Stage. For tickets and more information, click here. 

#1 – The Royale by City Theatre: City Theatre continues to uphold its mission YT17-Feature-The-Royaleto be Pittsburgh’s home for new plays with their January premiere of The Royale. Known for writing and producing television shows like Sons of Anarchy and Orange is the New Black, Marco Ramirez’s Broadway debut play The Royale is inspired by the true story of turn of the century boxer Jack Johnson. DeSean Terry plays Jay “The Sport”Jackson in this drama about fighting more than just the other person in the ring. Jackson has eyes on the heavyweight championship but with the racial tension of 1905 that might be easier said than done. The Royale runs on City Theatre’s Mainstage January 21 – February 12. For tickets and more information, click here.

While we’ve got you, check out our Top 5 Musicals you don’t want to miss here!

In the mood for something a little more festive? Claire rounded up the Top 5 Holiday shows for you here.

Throughline Theatre Company has gotten a new Artistic Director! Meet Sean Sears here.

Speaking of new things, check out one of Pittsburgh’s newest theater companies, Jumping Jack Theater.

Curious about something a little more than theater? Check out Jason’s articles featuring slowdanger and The Space Upstairs.

Even Attack Theatre is loosening some screws in their upcoming show Unbolted.

We’ve been pretty busy this fall too! In case you missed anything, here are some highlights of the last three months:

Between Riverside and Crazy at the Pittsburgh Public Theater

Three Days in the Country by Kinetic Theatre

The Music Man by Stage 62

12 Angry Men by the McKeesport Little Theater

How I Learned to Drive by the Duquense Red Masquers

Salome by the Pittsburgh Opera

To Kill a Mockingbird by Prime Stage Theatre

Giselle by the Pittsburgh Ballet

Barefoot in the Park by The Theatre Factory

Prometheus Bound: A Puppet Tragedy at the Irman Freeman Center for Imagination

Pride and Prejudice by Steel City Shakespeare

Trial by Jury & Gianni Schicchi by the Pittsburgh Savoyards

The River by Quantum Theatre

The Toxic Avenger at the Pittsburgh CLO Cabaret

 

The Music Man

the music manStage 62‘s The Music Man presents a caliber of talent that surpasses the status quo of community theater. This rhythmic masterpiece, made up of sweet melodies, a lively story and charming characters is a slice of American pie. The production boasts a wide range of music styles, dance ensembles, comedic moments and romance. This is a performance the whole family can enjoy. There are opportunities for performers of all ages to shine and Stage 62‘s rendition rises to this challenge.

The performance begins with the orchestra playing the overture. The sound swells the theater, traditionally designed for concerts, permitting the acoustics to resonate. Having never seen The Music Man before I enjoyed the prelude of familiar tunes realizing just how many songs I recognized. The story unfolds quickly, partly due to the tempo of the first 3 musical numbers, Rock Island, Iowa Stubborn and (Ya Got) Trouble, and the superior delivery of dialogue by con man ‘Professor’ Harold Hill (Andy Folmer) the fast- talking traveling salesman. Hill’s scam; convince parents their sons will keep out of trouble by joining in a band. Hill sells instruments, uniforms and music materials, promises to offer instruction and direction to the boys, then once the supplies are delivered and payment collected, he’ll skip town before anyone catches on. Arriving in River City, Iowa Hill learns the townsfolk are not very friendly. He determines the best way to earn the confidence of parents is to gain the assurance of the local music teacher/ librarian, Marian Paroo (Becca Chenette). She too is cold and stand-offish but luckily, for Hill, Marcellus Washburn (Chris  Martin) a former ‘associate’ turned straight, is living in River City. Washburn agrees to help Hill launch his scheme and escape town without a hitch. Things go, more or less, as Hill intends; except for the few residents who question his credentials, a young boy in need of a father figure and a blossoming romance that quickly changes the path of Hill’s plan.

Harold Hill (Andy Folmer) and Marian Paroo (Becca Chenette)
Harold Hill (Andy Folmer) and Marian Paroo (Becca Chenette)

If you’re familiar with The Music Man you won’t be surprised to learn this is a 61 person cast. Director Rob James successfully incorporates all elements necessary for a seamless production and choreographer Devyn Brown manages to keep the shows momentum flowing with movement. Two memorable dance numbers, Marian the Librarian and Shipoopi, showcase the abundance of talent from supporting cast members Chris Martin, Adam Speers as Tommy Djilas and Alex Ficco as Zanetta Shinn. Other highlights include, the harmonizing Quartet and the ladies Pickalittle (Talk-a-Little) song and dance. There’s a lot of theatrical zeal from each character especially the budding talent of cast members Alexa Speicher as Amaryllis and Elliott Bruno as Winthrop, who appear poised and confident in character despite their young age.

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Amaryllis (Alexa Speicher), Winthrop (Elliott Bruno), Amaryllis (Hannah Post)

A strong supporting cast and a dynamite ensemble can carry a show a long way but The Music Man demands veteran performers to fill the shoes of Professor Hill and Marian Paroo. Andy Folmer as Hill is a big presence on a small stage, a virtuoso of voice, he consistently maintains savvy delivery of both dialogue and song. Becca Chenette is a genuine Marian. Her voice is lilting and strong. A seasoned vocalist she exudes sweetness and sentimentality while singing the beautiful ballads.

Stage 62‘s performance of The Music Man is lively and fun. It has all the elements of a classic American musical. The costumes are bright and represent a time and place that accentuate the extensively detailed set. Highlights of the show included the expertly executed speak- song, Rock Island the highly energetic Ya Got Trouble, the notable Seventy-Six Trombones and the endearing Till There Was You .

Special thanks to Stage 62 for complimentary press tickets. The Music Man runs at the Andrew Carnegie Free Library and Music Hall (ACFL& MH) Carnegie, PA through November 20th. Tickets and more information can be found here.

Photos courtesy of Amber Smith.

5 Musicals You Don’t Want to Miss This Fall

At last, our hot and humid dog days of summer are yielding to fall, bringing with it quite an interesting range of offerings for musicals in the Steel City this season. We’ve got a bit of everything from the spectacle of Tommy, The Who’s rock opera, at one end and to the simplicity of The Fantasticks with just piano and harp at the other. Then there a not so normal family in Next to Normal, and a not so normal setting for a musical, the waste dumps of New Jersey for the Toxic Avenger. If you are looking for a more traditional show there is the classic Music Man with its Seventy Six Trombones.

The Pulitzer Prize winning Next To Normal opens at The Theatre Factory in net to normalTrafford on September 16th, and runs through October 2nd. This powerful rock musical grapples with a mother’s bipolar disorder in a suburban family. Dad is barely holding himself together, the daughter searches to find her place in the world and the son has a secret. Yes, this show will make you laugh and cry as the family struggles with not being quite normal. In addition to the Pulitzer this show deservedly received Tony’s for best score and orchestrations.

Those of us who are New Jersey transplants will feel right at home with The Toxic Avenger at the CLO Cabaret, September 22nd through December 18th.  This rock musical is based upon the movie of the same name. The hero is out to save New Jersey but along the way he falls in love with the town’s blind librarian. (Perhaps she can’t see the town needs to be saved.) 13920592_10153878214136696_6619933184213095285_n

Evan Ruggiero, the one-legged tap dancer, who fought cancer and went onto appear on American Idol, stars in the title role. This laugh out loud musical horror-comedy has something for everyone. It was the winner of the 2009 Outer Critics Circle Award for Best Off-Broadway Musical. Here in the ‘burgh, you can eat and drink during the show and enjoy “Hot Toxic Love”, “Thank God She’s Blind” and “Evil is Hot”.  What could be better than that?

Young love triumphs in The Fantasticks at the Pittsburgh Public Theatre, September 29th through October 30th. The Fantasticks is the worlds longest running musical and Ted Papas will bring his own directorial take to this beloved classic. Sophisticated yet simply staged this is the story of two fathers scheming to bring their son and daughter together in this sweet and FANTAS2831perfect musical.  It features classic songs like “Try to Remember” and “Soon It’s Gonna Rain”. If you are a fan of musical theatre, the legendary Fantasticks has to be on your “must see” list of shows. In New York, the show plays in a very intimate black box type of theatre. It will be interesting to see it performed in a three quarter thrust stage at the O’Reilly. “The Fantasticks is the show that convinced me, 50 years ago, to spend my entire life in the theater. The Public’s new production is my way of saying ‘Thank You’ to all the actors and designers who have blessed me with their talent, imagination, and joy.” says Artistic Director Ted Pappas.

tommyOakland will rock to The Who’s Tommy at The Pittsburgh Playhouse’s Rockwell Theatre, on October 21st through October 30th. This iconic Tony and Grammy Award winning rock opera tells the story of a special young man from a troubled background who overcomes long odds to triumph. It is a sensory-defying masterpiece of passion and wizardry that features now iconic rock tunes including “Pinball Wizard’, “I’m Free” and “See Me, Feel Me”. Huntington, Of note, West Virginia’s Michael Cerveris received the 1993 Tony Award for Best Actor in a Musical for creating the role of Tommy in the original Broadway production.

The Music Man marches on to Stage 62 in Carnegie, from November 10th through 20th. Head to a simpler time when traveling salesman and con artist the music manProfessor Harold Hill convinces the people of River City, Iowa to form a kid’s band to counter the evils of the pool hall. The Professor meets and falls for Marion, the librarian, complicating his scheme. Classics songs “(Ya Got) Trouble”, “Till There Was You” and “Seventy Six Trombones” make for a foot stomping handclapping time with all that brass in this multiple Tony Award winning musical.

From classic show tunes to rock opera there is something for every musical theatre fanatic this fall here in the ‘burgh. Checkout our other fall previews for even more musicals.

One thing this town has got is range!

Check out the rest of our 2016 Fall Preview here! Follow along with our autumn adventures with the hashtag #FallwithPITR on Facebook, Twitter, and Instagram!

Jesus Christ Superstar

gfhsersrtA man, rises to power from nothing, gaining hundreds of thousands of followers along the way, whose fame and status eventually became the center of controversy for his inseparable fate with the unity and peace of his nation.

Yes, some would say this man challenges the faith of many. No, as much as it sounds alike, I’m not talking about any presidential candidate from this heated election season. And yes, this is a story we all know by heart.

With music by Andrew Lloyd Webber and lyrics by Tim Rice, rock opera Jesus Christ Superstar tells the journey of Jesus during his final week, from his arrival all the way to crucifixion, with a focus on the evolving relationship between him and his loyal apostle Judas Iscariot. Originally started as a concept album with a Broadway debut in 1971, this audience-favorite sung-through musical is now the newest production at Andrew Carnegie Free Library & Music Hall in Carnegie, PA, only this time the real superstar is its theatrical company, Stage62.

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Mary Johnson-Blocher as Judas

If heaven has a rock band, Duquesne graduate Jeff Way is certainly the lead singer of the gang. Playing the title role with a sensational voice, Mr. Way took the audience on a hero’s journey fueled with passion and emotion–his solo number “Gethsemane” in Act II was sincerely moving and full of halo. But you see, Jesus isn’t the only rock star you’ll meet. Musical theater powerhouse Mary Johnson-Blocher conquered the role of Judas–a role that’s traditionally played by male actors–and proved that she’s the real cherry-on-top within the first ten minutes of the show. Her portrait of Judas’s conflicted journey was the moving momentum of the story, and her final betrayal scene at the end of Act I was easily one of the spine-chilling moments of “all time’.

Jesus Christ Superstar is a show about memorable characters. And the amazing casts at Stage62 delivered these characters gloriously. Nina L. Napoleone plays the beautiful Mary Magdalene with a voice of clearance and color. Jeff Danner plays the evil High Priest Caiaphas on a rich bass tonality that will give you goosebumps every time he sings. Larissa Jantonio’s Annas, another traditionally male role, is genuinely wicked and full of sharp edges. And finally, just like all the other Stage62 productions, every single ensemble number in the show is a highlight and deserves all the applause of the night.

Jeff Way as Jesus
Jeff Way as Jesus

Behind this innovative production is the creative mind of singer and performer Seamus Ricci in a directoral debut at Stage62. Through the revolutionary casting choice of having female actors playing traditionally male roles, Mr. Ricci perfectly captured the diversity of talents that are deeply rooted in the Pittsburgh theatre community and gave this timeless musical a fresh and revitalizing look. Due to the sung-through narrative nature of the show and its vast variety of characters, at certain scenes the staging might feel a bit overwhelming if the audience is not familiar with the plot, but overall the dramatic texture is never lost. Throughout the night a recurring theme of “”emerge”, “encompass” and “contrast” will lead the audience through this constantly changing journey of power and faith on stage, and when the house suddenly becomes an extension of the stage with an atmospheric choral build-up, you can just feel the tension in the air!

Supporting the storytelling is the Orchestra, lead by Music Director Thomas Octave, playing Andrew Lloyd Webber’s electrifying rock score faithfully live on stage, and elevating the sound of the show to a heavenly level. Angela Essler’s choreography brings home the biggest surprise of the night with a dosage of great energy and star-dust–in the number “Herod’s Song” in Act II where King Herod, played by IUP student J’Quay Lamonte Gibbs, totally brought the house down with a bombshell performance that eventually became one of the biggest show-stopping moments of the night.image

But a story is never really alive without its theatrical counterpart. Jeremy Eiben’s costume design masterfully incorporates the modern clothes into the ensemble’s costumes with an abstract twist and gave this ancient account a 21st century make-over. Garth Schafer’s lighting design beautifully reflects the pulse of the story and set the base line of all the emotions. But the biggest bone-chilling and most surreal moment has to go to the end of the show, when a gigantic cross literally erects on stage and the entire scene of crucifixion, accompanied by a hauntingly realistic sound design by Soundcolor Productions, is being replayed in front of the audiences’ eyes, you just can’t help but wonder, is this still theater, or are we actually traveled back in time?

After the show I had a small chat with the director Mr. Ricci himself, and naturally we both agreed that the timing of bringing back this ALW classic now couldn’t be more perfect. With so much chaos and hatred and violence and senseless acts happening around the world everyday now, people desperately need a beam of hope and faith to keep us steady and strong. But the themes presented in Jesus Chris Superstar are more than just hope and faith. The show is also about power worship, about moral conflict, about betrayal, and mostly importantly, about abandonment and returning home.

No matter where we stand, the direction we are walking to is always the same. So why not walk together? But sometimes walking in life still feels like a shot in the dark. A wise man once said, “happiness can be found, even in the darkest of the times, if one only remembers to turn on the light”. Perhaps this time, Jesus Christ Superstar is the only guiding star we will need to get through the thunderstorm, and come home to the light.

Jesus Christ Superstar runs at the Andrew Carnegie Free Library & Music Hall until July 31st. For tickets and more information, click here.

Special thanks to Stage 62 for complimentary press tickets. Photos courtesy of Image 42.